Matrox Axio Guía de usuario

vY10934-201-0360 Installation and User GuideJuly 14, 2008Matrox AxioAxio Installation and User Guide.book Page 1 Monday, July 14, 2008 8:00 AM

viiiContentsChapter 7Working with .mxf, .mp4, and .avi FilesWorking with native .mxf files in Adobe Premiere Pro and After Effects ...

84Chapter 8, Defining Your Adobe Premiere Pro SettingsSpecifying your video output settings (X.linkLE)You can specify various settings to configure yo

85Defining your General settings4 If the Aspect Ratio Conversion list is available, such as when the video output for an HD project is downconverted t

86Chapter 8, Defining Your Adobe Premiere Pro SettingsSpecifying advanced video output settings (X.linkLE)You can specify advanced video output settin

87Defining your General settingsSpecifying your audio output settings (X.linkHD and X.linkSD)Matrox Axio HD and SD let you customize your audio output

88Chapter 8, Defining Your Adobe Premiere Pro SettingsSpecifying settings for mono and stereo mapping (X.linkHD and X.linkSD)You can choose to mute or

89Defining your General settingsSpecifying settings for 5.1 surround mapping (X.linkHD and X.linkSD)You can indicate which 5.1 surround channels you w

90Chapter 8, Defining Your Adobe Premiere Pro Settingsan audio pair for a group that is presently not available, you must mute both audio pairs from o

91Defining your General settingsSpecifying your audio output settings (X.linkLE) Matrox Axio LE lets you customize your audio output settings, such as

92Chapter 8, Defining Your Adobe Premiere Pro SettingsDisplaying settings for mono and stereo mapping (X.linkLE)Matrox Axio LE lets you display mono a

93Defining your General settingsDisplaying settings for 5.1 surround mapping (X.linkLE)Matrox Axio LE lets you display 5.1 surround mapping settings t

ixContentsDefining your Capture settings ...97Specifying your video capture settings ...

94Chapter 8, Defining Your Adobe Premiere Pro SettingsSpecifying your genlock settingsYou can select the source to which you want to genlock all devic

95Defining your General settingsRemarks$ When capturing embedded SDI audio on a Matrox Axio SD system, you must set your genlock source to SDI Video t

96Chapter 8, Defining Your Adobe Premiere Pro SettingsSelecting your DV-1394 output settingsYou can choose to output a sequence from the Timeline pane

97Defining your Capture settingsDefining your Capture settingsThe Matrox Capture Settings dialog box has pages that you can use to specify your settin

98Chapter 8, Defining Your Adobe Premiere Pro Settings$ X.linkSD or X.linkLE to capture material from an analog or SDI video source connected to your

99Defining your Capture settingscapture settings for an HD project, the Input Aspect Ratio will be set to 16:9.8 Under Capture Format, select your des

100Chapter 8, Defining Your Adobe Premiere Pro SettingsMPEG-2 IBP settings” on page 111. Once you’ve configured your settings, click OK to return to t

101Defining your Capture settingsSpecifying your audio capture settingsYou can specify various audio capture settings, such as to specify your input s

102Chapter 8, Defining Your Adobe Premiere Pro Settings¦NoteIf you experience dropped frames when capturing embedded SDI audio on Axio LE, you can set

103Defining your Capture settingssaved to a single stereo .wav file (any other channels will be ignored). When Axio saves the .wav file of an audio-on

xContentsUsing Select Mask ... 136Creating a primary color correction ...

104Chapter 8, Defining Your Adobe Premiere Pro SettingsNotes about capturing to Matrox .m2v filesWhen capturing to Matrox .m2v files, keep the followi

105Defining your Capture settingsSpecifying your audio monitoring settings (X.linkHD and X.linkSD)Matrox Axio HD and SD let you customize your setting

106Chapter 8, Defining Your Adobe Premiere Pro Settingschannel to an audio pair for a group that is presently not available, you must mute both audio

107Exporting to a Matrox .avi fileFor example, if you have an NTSC project, you must select an NTSC codec. If you have a 1440×1080i @ 29.97 fps projec

108Chapter 8, Defining Your Adobe Premiere Pro Settings6 From the Pixel Aspect Ratio list, select the setting that matches the aspect ratio of your ma

109Selecting your MPEG-2 I-frame settingsSelecting your MPEG-2 I-frame settingsWhen you select the Matrox MPEG-2 I-frame or Matrox MPEG-2 I-frame HD f

110Chapter 8, Defining Your Adobe Premiere Pro Settings¦NoteThe higher the DC precision value that’s used to capture or render your video, the more li

111Selecting your MPEG-2 IBP settingsSelecting your MPEG-2 IBP settingsWhen capturing video to a Matrox .m2v file using Adobe Premiere Pro, the captur

112Chapter 8, Defining Your Adobe Premiere Pro Settings• Variable bit rate (VBR) Video is compressed at varying data rates based on the complexity of

113Exporting to a Matrox .mxf fileExporting to a Matrox .mxf fileMatrox Axio lets you export your Premiere Pro sequence to Matrox .mxf files that are

xiContentsCreating a page curl effect ...204Creating a pan & scan effect ...

114Chapter 8, Defining Your Adobe Premiere Pro Settings°To export your sequence to a Matrox .mxf file:1 Choose File > Export > Matrox MXF.2 From

115Exporting to a Matrox .mxf file$ Matrox DV/DVCAM Renders video to DV or DVCAM format.$ Matrox DVCPRO Renders video to DVCPRO format (supported only

116Chapter 8, Defining Your Adobe Premiere Pro Settingscompression, you may be able to export only four audio channels instead of all six. In this cas

117Exporting to a Matrox .mxf file2 Under Motion Estimation, drag the slider to adjust the quality of the motion estimation used for the video compres

118Chapter 8, Defining Your Adobe Premiere Pro Settings$ MPEG-2 IBP Renders video to MPEG-2 IBP format.2 Under Data Rate (Mb/sec), you can select the

119Adding a voice-over to your sequencewant to drag the slider to the left (towards Fast/Low quality) to decrease the quality of the motion estimation

120Chapter 8, Defining Your Adobe Premiere Pro Settingsconnected to the composite video input on your X.linkSD breakout box, select Composite.9 Click

121Adding a voice-over to your sequence¦NoteIf a track that you’ll be recording your voice-over on already contains audio at the current-time indicato

122Chapter 8, Defining Your Adobe Premiere Pro SettingsExporting using Matrox Media EncoderYou can use Matrox Media Encoder to export clips from a seq

123Exporting using Matrox Clip Notes7 Click OK, specify a name, location, and export range for the export, then click Save.The export settings are the

xiiContentsAutodesk 3ds Max ...242Autodesk Combustion ...

124Chapter 8, Defining Your Adobe Premiere Pro SettingsExporting your sequence to tapeYour Matrox Axio system lets you export your Adobe Premiere Pro

125Exporting your sequence to tapeExporting to DV tape using DV-1394 device controlYou can use Matrox DV/HDV device control when exporting your Adobe

126Chapter 8, Defining Your Adobe Premiere Pro SettingsCreating an SD project in 16:9 formatWhen editing on Matrox Axio, you can choose to work with S

Chapter9Setting Up Realtime Effectswith Adobe Premiere ProThis chapter explains how to set up realtime effects using the Matrox realtime plug-in for A

128Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProAvailable effectsThe Matrox realtime plug-in for Adobe Premiere Pro lets you:• Set up

129How to apply a Matrox video effect in Adobe Premiere Protransition, except that the controls provided let you create a Matrox transition, as is exp

130Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProTransforming your clipMany of the Matrox effects allow you to adjust the scale, posit

131Transforming your clip• (X, Y) Scale Use these controls to make your clip smaller or larger. Full-screen size is represented as 100%. You can shrin

132Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProTransforming a clip in the Program MonitorYou can use your left mouse button to resiz

133Cropping your clipCropping your clipMany of the Matrox effects allow you to apply crop settings to your clip. To apply crop settings, click the tri

xiiiContentsUsing the Matrox MPEG-2 I-frame HD codec ...267MPEG-2 I-frame HD codec workflow example for offline editing ...

134Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProUsing Select Crop To apply crop settings to your clip using the Select Crop dialog bo

135Applying a mask to your effectApplying a mask to your effectMany of the Matrox effects allow you to add a mask to define the area where you want to

136Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProUsing Select Mask To apply a mask to your Matrox effect using the Select Mask dialog

137Creating a primary color correctionCreating a primary color correctionColor correction is important for all productions, whether you want to achiev

138Chapter 9, Setting Up Realtime Effects with Adobe Premiere Prothe clip will remain unchanged. For more information, see “Using Split View” on page

139Creating a primary color correctionluminance of your clip directly within the graph. For more information, see “Using the luma mapping graph” on pa

140Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProThe area within the split view rectangle will display any color correction you make,

141Creating a primary color correctionUsing RGB curves¦NoteThe RGB Curves settings are available only with the advanced versions of the Matrox primary

142Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProClick the R, G, or B button to select the curve corresponding to the color channel yo

143Creating a primary color correctionIf you want to reset the Master, R, G, or B curve to its default setting at any time, click the appropriate Rese

xivContentsVideo output signals ...289Audio input/output signals ...

144Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProUsing the color balance graphThe color balance graph allows you to modify the Color B

145Creating a primary color correctionwant to decrease. For example, if you move the handle towards red, you also decrease cyan by the same amount, as

146Chapter 9, Setting Up Realtime Effects with Adobe Premiere Proluminance for only the shadows, drag the luminance slider under the Shadows color map

147Creating a primary color correctionPerforming an auto balanceBefore matching colors, you can perform an auto balance on your target clip to automat

148Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProMatching colors between two clipsYou can perform a color match to match colors betwee

149Creating a primary color correction6 Select a reference color from your reference clip by using the Reference Color eyedropper under the color map

150Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProUsing the luma mapping graphTo modify your luma mapping values directly in the graph,

151Creating a primary color correction• Plot Click this button to plot the luminance values in the current frame of your clip to the histogram (the pl

152Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a secondary color correctionMatrox secondary color correction offers all the

153Creating a secondary color correction• Enable Split View Select this option to split your clip into two sections in the Program Monitor and on your

Chapter1Introducing Matrox AxioThis chapter outlines some of the features of Matrox Axio, lists the contents of your kit, provides the Axio system req

154Chapter 9, Setting Up Realtime Effects with Adobe Premiere Proluminance of your clip directly within the graph. For more information, see “Using th

155Creating a secondary color correction$ Aperture Use this to widen or narrow the aperture of the indicator to increase or decrease the range of colo

156Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro255 represents white. Intermediate settings represent different shades of gray, from

157Creating a secondary color correctionUsing the selective key graphThe selective key graph allows you to modify your selective key settings (Hue Key

158Chapter 9, Setting Up Realtime Effects with Adobe Premiere Proeach luminance value present in your image as a vertical line. A longer line indicate

159Creating a secondary color correctionbe able to see the Sat Key indicator and handles to modify the Saturation Key properties in the selective key

160Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro¦NoteIf you want to reset the hue, saturation, and luma key properties to the default

161Creating a secondary color correctionThis allows you to see the original colors of your clip before any modifications were made.•Indicator Click th

162Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a color pass effectYou can use the Matrox secondary color correction to crea

163Creating a 3D DVE effectCreating a 3D DVE effectThe Matrox 3D DVE effect lets you position your clips anywhere in 3D space while adding soft edges

2Chapter 1, Introducing Matrox AxioWelcome to Matrox AxioThe Matrox Axio family of HD and SD editing platforms lets you work at the highest finishing

164Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro$ Border Type Allows you to select the type of border you want (None, Flat, Gradient,

165Creating a 3D DVE effect• Crop Allows you to crop the edges of your clip. For more information, see “Cropping your clip” on page 133.•Enhance Sharp

166Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a 4-corner pin effectThe Matrox 4-corner pin effect lets you anchor each cor

167Creating a 4-corner pin effect• Preview Settings You can select the following options for previewing your effect:$ Show Cursors Displays a diamond-

168Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a blur/soft focus effectThe Matrox blur/soft focus effect lets you create un

169Overview of the chroma key effectsOverview of the chroma key effectsYou can use the Matrox realtime plug-in to apply a chroma key or chroma key sha

170Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a chroma key or chroma key shadow effectTo set up a Matrox chroma key or chr

171Creating a chroma key or chroma key shadow effect$ Auto Key Click this button to automatically key on the most common color at the current frame in

172Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProSuppression to replace the green tint with the opposite color in the spectrum to retu

173Creating a chroma key or chroma key shadow effectUsing the chroma key graph to modify key colors and perform an auto keyTo modify your key colors d

3Welcome to Matrox AxioFeatures of Matrox Axio HD• 8-bit or 10-bit uncompressed HD and SD editing.• Dedicated onboard GPU for support of Matrox Flex G

174Chapter 9, Setting Up Realtime Effects with Adobe Premiere Provertical line. A longer line indicates a higher amount of pixels in your image of tha

175Creating a chroma key or chroma key shadow effect$ Click the eyedropper button and click and drag anywhere on your clip to select a rectangular are

176Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a cube effectThe Matrox cube effect lets you map video or graphics to the fa

177Creating a cube effect• Additional Sources References up to two additional sources that you identified by applying the Matrox Source Identifier eff

178Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro¡ Importan t With the Matrox cube effect, the cropped area is automatically stretched

179Creating a crystallize effectCreating a crystallize effectThe Matrox crystallize effect lets you choose from many different patterns that you can u

180Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro$ Select Shape Click the button to the right of the current pattern to see the list o

181Creating a garbage matte effectCreating a garbage matte effectThe Matrox 4-point, 8-point, and 16-point garbage matte effects let you use individua

182Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro• Edge Softness Lets you apply softness to the edges of your garbage matte.•Invert Ma

183Creating an impressionist effectCreating an impressionist effectThe Matrox impressionist effect lets you choose from many different patterns that y

ASIO is a trademark and software of Steinberg Media Technologies GmbH.All other nationally and internationally recognized trademarks and tradenames ar

4Chapter 1, Introducing Matrox AxioHardware supplied for Matrox Axio HD and SD• X.io card — input/output card.• X.effects card — realtime effects co-p

184Chapter 9, Setting Up Realtime Effects with Adobe Premiere Proset the X Size Variation value to 5%, the brush strokes will randomly grow between 0

185Creating an impressionist effect• Blend Over Original Use this to blend the brush strokes with your original image. This is useful when you are usi

186Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a lens flare effectThe Matrox lens flare effect lets you simulate the light

187Creating a lens flare effectAdjusting the percentage on the x and y axes changes the lens flare’s width and height, respectively.$ Intensity Sets t

188Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProOverview of the luma key effectYou can use the Matrox realtime plug-in to apply a lum

189Creating a luma key effectCreating a luma key effectTo set up a Matrox luma key effect, click the triangle next to Matrox Luma Key to expand the pr

190Chapter 9, Setting Up Realtime Effects with Adobe Premiere Procontrol as defining a “Transparent to Opaque” range for keying the dark areas of your

191Creating a luma key effectYou can select luminance values on which to key by adjusting the Low Clip and High Clip handles, or you can use the lumin

192Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a mask effectThe Matrox mask effect lets you choose from dozens of soft-edge

193Creating a mask effect• Transform Use these controls to apply or change various transform settings for your mask effect, such as the position, scal

5Matrox Axio LE system requirements• DVD-ROM drive for the software installation.• Microsoft Windows XP Professional (32-bit) with Service Pack 2, or

194Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a mask blur effectThe Matrox mask blur effect lets you create a “region of i

195Creating a mask blur effect$ Shape Transparency Sets the transparency of the shape and the area around the shape. At the default setting (0), the s

196Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a mask mosaic effectThe Matrox mask mosaic effect lets you create a “region

197Creating a mask mosaic effect¦NoteThe Outside Transparency setting is applicable only if you’ve scaled down, moved, or rotated your mask using the

198Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a move & scale effectThe Matrox move & scale effect lets you positio

199Creating a move & scale effect$ Nonlinear Softness Select this option to make the boundaries of the softness region less obvious. Enabling this

200Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating an old movie effectThe Matrox old movie effect lets you create an old film l

201Creating an old movie effect• Green Only Uses the green channel.• Blue Only Uses the blue channel.• Alpha Only Uses the alpha channel.• Luma Uses t

202Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro• Streak$ Streak Pattern Allows you to select a streak pattern. Click the button on t

203Creating an old movie effectfollows a rhythmic beat. The higher the value the more random the flickering becomes.•Color Gain and Color Addition (Re

6Chapter 1, Introducing Matrox AxioAbout this manualThis manual provides you with information about installing and using your Matrox Axio hardware and

204Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a page curl effectThe Matrox page curl effect lets you create page curls tha

205Creating a page curl effect$ Curl Softness Creates a soft edge on the section of the page that is curling.¦NoteYou will not be able to see the Curl

206Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a pan & scan effectThe Matrox pan & scan effect lets you easily conv

207Creating a pan & scan effect¦NoteIf you are working in HD, your output will always be 16:9. Therefore, if you choose 4:3 as your Destination As

208Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a ripple effectThe Matrox ripple effect lets you create 3D ripple patterns t

209Creating a ripple effect• Crop Allows you to crop the edges of your clip. For more information, see “Cropping your clip” on page 133. ¡ Importan t

210Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a shadow effectThe Matrox shadow effect lets you project a realistic shadow

211Creating a shadow effect• Top Right Corner Opacity Sets the opacity of the top right corner. Levels range from completely transparent (0) to opaque

212Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a shine effectThe Matrox shine effect allows you to create rays that shine t

213Creating a shine effect$ End Opacity Sets the opacity of the rays furthest from the light source. Levels range from completely transparent (0) to o

7About this manualHere are some examples:• 486p @ 23.98 fps Represents 720×486 progressive video at 23.98 frames per second.• 720p @ 59.94 fps Represe

214Chapter 9, Setting Up Realtime Effects with Adobe Premiere Proprogresses from black to white and you want your gradient to end at dark gray, drag t

215Creating a shine effect• Mask Settings Let you select a mask pattern and adjust the transparency settings to define the area where you want to appl

216Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a sphere effectThe Matrox sphere effect lets you wrap your clip around a tru

217Creating a sphere effect• Light Settings$ Show Light Position Select this option to display a diamond-shaped cursor that shows the position of the

218Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a surface finish effectThe Matrox surface finish effect allows you to apply

219Creating a surface finish effect$ Back Face Control• Blending Factor Blends the back face of the slab with the surface texture. The higher the valu

220Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro• Relative Position Selecting this option will make the second light source relative

221Creating a track matte effectCreating a track matte effectThe Matrox track matte effect lets you superimpose one clip onto another using an animate

222Chapter 9, Setting Up Realtime Effects with Adobe Premiere Pro4 Place your foreground clip (the clip you want to superimpose onto your background c

223Creating a twirl effectCreating a twirl effectThe Matrox twirl effect lets you create twirl patterns that twist and rotate your video and graphics

8Chapter 1, Introducing Matrox AxioYour notesAxio Installation and User Guide.book Page 8 Monday, July 14, 2008 8:00 AM

224Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProCreating a wipe transitionThe Matrox wipe transitions support standard dissolves, SMP

225Creating a wipe transition$ Balance Lets you adjust the prominence of the border between image A and image B. For example, positive values make the

226Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProUsing the Matrox chroma clamper effectYou can use the Matrox chroma clamper effect to

227Matrox Axio realtime guidelinesMatrox Axio realtime guidelinesIn your Adobe Premiere Pro projects, you can use various combinations of realtime Mat

228Chapter 9, Setting Up Realtime Effects with Adobe Premiere ProSupported graphics formatsAll full-screen single-frame graphics supported by Adobe Pr

Chapter10Using Matrox Axio with Video forWindows ProgramsThis chapter provides information you need to know when using Video for Windows programs to r

230Chapter 10, Using Matrox Axio with Video for Windows ProgramsOverviewWhen using Video for Windows (VFW) programs to render material to an .avi file

231Using VFW programs without the Axio hardwareUsing VFW programs without the Axio hardwareIf you installed the Matrox VFW software codecs (see “Insta

232Chapter 10, Using Matrox Axio with Video for Windows Programs• To render video using the same compression format, frame size, and frame rate as you

233Before you start rendering5 In the provided dialog box under Color Space Conversion, select the options you want:¦NoteIf an option isn’t supported

Chapter2Installing Your Matrox Axio HD or SDHardwareThis chapter describes how to install your Matrox Axio cards for a Matrox Axio HD or SD system.Axi

234Chapter 10, Using Matrox Axio with Video for Windows Programs$ Chroma sampling for fast-motion video Select this option to help eliminate artifacts

235Rendering material to a Matrox VFW .avi file$ Matrox MPEG-2 I-frame HD + Alpha Renders video to MPEG-2 intra-frame format with alpha using the 4:2:

236Chapter 10, Using Matrox Axio with Video for Windows ProgramsConfiguring the Matrox MPEG-2 I-frame codecsWhen you click your program’s Configure bu

237Rendering material to a Matrox VFW .avi filein the encoded stream. This may result in lowering the overall quality of the compressed stream at a sp

238Chapter 10, Using Matrox Axio with Video for Windows ProgramsYour notesAxio Installation and User Guide.book Page 238 Monday, July 14, 2008 8:00

Chapter11Using the Matrox WYSIWYG Plug-insThis chapter explains how to use the Matrox WYSIWYG Control Panel and plug-ins available with Matrox Axio so

240Chapter 11, Using the Matrox WYSIWYG Plug-insOverviewTogether with your Matrox Axio hardware, the Matrox WYSIWYG Control Panel and Matrox WYSIWYG p

241Configuring the Matrox WYSIWYG Control Panel¦NoteIf Adobe Premiere Pro is running, the Project Format and Output Format will be determined by your

242Chapter 11, Using the Matrox WYSIWYG Plug-insRequired steps to use the WYSIWYG plug-insThe following sections list the steps required to use the Ma

243Required steps to use the WYSIWYG plug-insNewTek LightWave 3D1 Start NewTek LightWave 3D and load the file you want to preview by choosing File >

10Chapter 2, Installing Your Matrox Axio HD or SD HardwareBefore you install your Matrox Axio card setRead the following information carefully before

244Chapter 11, Using the Matrox WYSIWYG Plug-insYour notesAxio Installation and User Guide.book Page 244 Monday, July 14, 2008 8:00 AM

Chapter12Monitoring Your Matrox Axio SystemThis chapter explains how to use the Matrox X.info program to display important details about your Matrox A

246Chapter 12, Monitoring Your Matrox Axio SystemUsing X.info to display Axio informationThe Matrox X.info program lets you display information about

247Using X.info to display Axio informationCreate. If Open file after scan is selected, the HTML system log opens after it is created.Axio Installatio

248Chapter 12, Monitoring Your Matrox Axio SystemDisplaying hardware informationTo display information about the Matrox Axio hardware installed in you

249Using X.info to display Axio informationMonitoring your Axio hardware operating temperaturesAs shown in the X.info Hardware section, each page disp

250Chapter 12, Monitoring Your Matrox Axio SystemYour notesAxio Installation and User Guide.book Page 250 Monday, July 14, 2008 8:00 AM

AppendixAUnderstanding Standard and AdvancedPulldownThis appendix describes the most common pulldown methods, and explains how and when these pulldown

252Appendix A, Understanding Standard and Advanced PulldownOverviewPart of your project’s workflow may involve the application of a pulldown technique

253Advanced 2:3:3:2 pulldownPerforming a standard reverse pulldown (2:3 cadence) reverses the process by converting 29.97 fps interlaced video to 23.9

11Before you install your Matrox Axio card setprogram (see “Monitoring Your Matrox Axio System” on page 245 for more information).To provide as much a

254Appendix A, Understanding Standard and Advanced PulldownThe following diagram demonstrates the process:Advanced 2:3:3:2 pulldown is accomplished by

AppendixBMatrox Axio WorkflowsThis appendix provides information about working with different types of projects in Adobe Premiere Pro. It describes th

256Appendix B, Matrox Axio WorkflowsOverviewThis appendix provides general information about using various Matrox Axio project presets and codecs for

257Working with SD “24P” materialThe output from your 486p @ 23.98 fps project on Matrox Axio is always NTSC. For DV-1394 output, Axio provides the op

258Appendix B, Matrox Axio Workflows486p @ 23.98 fps workflow exampleThe following diagram illustrates typical 486p @ 23.98 fps workflows using Matrox

259Working with HD materialWorking with HD materialMatrox Axio provides Premiere Pro project presets for many of the common HD video formats. For each

260Appendix B, Matrox Axio Workflows• Matrox 8-bit and 10-bit Uncompressed HD codecs Capture and export video to full-resolution, finishing-quality HD

261Using the Matrox Offline HD codec°To create your new offline HD editing project:1 Open a new Adobe Premiere Pro project by choosing File > New,

262Appendix B, Matrox Axio Workflows°To create your VFW offline HD project on a remote editing workstation:1 Open a new Adobe Premiere Pro project by

263Using the Matrox Offline HD codecare using in your edited project. For details on how to do this, see your Adobe Premiere Pro documentation. 2 Open

12Chapter 2, Installing Your Matrox Axio HD or SD HardwareFormat your A/V drives using NTFSYour A/V drives must be formatted using NTFS for use with M

264Appendix B, Matrox Axio WorkflowsOffline HD codec workflow examplesThe following workflow examples demonstrate two different uses of the Matrox Off

265Using the Matrox Offline HD codecThis workflow scenario is represented in the following diagram:A new Matrox Axioonline editing project iscreated u

266Appendix B, Matrox Axio WorkflowsWorkflow example for exporting offline HD clipsIn this workflow example, a Matrox Uncompressed HD codec is used to

267Using the Matrox MPEG-2 I-frame HD codecUsing the Matrox MPEG-2 I-frame HD codecThe Matrox MPEG-2 I-frame HD codec allows you to control the data r

268Appendix B, Matrox Axio WorkflowsThis workflow scenario is represented in the following diagram: MPEG-2 I-frame HD codec workflow example for onlin

269Using the Matrox 8-bit and 10-bit Uncompressed HD codecsThis workflow scenario is represented in the following diagram:Using the Matrox 8-bit and 1

270Appendix B, Matrox Axio WorkflowsUncompressed HD codec. The online editing project is then completed on the Axio system and exported to tape for br

271Mixing interlaced and progressive clips in the same projectMixing interlaced and progressive clips in the same projectWhen editing on Matrox Axio,

272Appendix B, Matrox Axio WorkflowsApplying pulldown in HD projects Depending on your HD project settings, Matrox Axio applies a pulldown method so t

273Applying pulldown in HD projects1080p @ 23.98 fps workflow exampleThe following diagram provides a typical workflow when using a 1080p @ 23.98 fps

13Before you install your Matrox Axio card setAbout the PCI retainer bracketMany computers contain card guides at the front end of the computer chassi

274Appendix B, Matrox Axio WorkflowsOther Matrox Axio HD workflows720p workflow exampleMatrox Axio supports creating 720p projects at 23.98 fps, 25 fp

275Other Matrox Axio HD workflowsThe following diagram illustrates a typical workflow for a 720p project using Matrox Axio:Film footage telecinedand t

276Appendix B, Matrox Axio Workflows1080i workflow exampleWhen working in a 1080i @ 25 fps or 29.97 fps project, you can use HD source video in the sa

277Other Matrox Axio HD workflowsThe following diagram provides a typical workflow when using a 1080i @ 25 fps or 29.97 fps preset on Matrox Axio:Film

278Appendix B, Matrox Axio Workflows1080p @ 24 fps workflow exampleWhen working with a 1080p @ 24 fps project preset, your input and output formats mu

279Editing HD projects on a Matrox Axio SD systemEditing HD projects on a Matrox Axio SD systemYour collaborative workflow can be even more flexible a

280Appendix B, Matrox Axio WorkflowsSupported video compression formatsMatrox Axio HDSD project HD projectCaptureDV/DVCAM, DVCPRO, and DVCPRO508- and

281Supported video compression formatsMatrox Axio SDSD projectHD project(video processing is set to 8-bit)CaptureDV/DVCAM, DVCPRO, andDVCPRO508- and 1

282Appendix B, Matrox Axio WorkflowsMatrox Axio LESD project HD projectCaptureDV/DVCAM, DVCPRO, andDVCPRO508- and 10-bit UncompressedMPEG-2 I-frameMPE

283Supported master output formats on Matrox Axio HD and SDSupported master output formats on Matrox Axio HD and SDThe following table lists the suppo

iMatrox Axio License Agreement, Warranty, and ServiceMatrox Axio License Agreement, Warranty, and ServiceA. Matrox software license agreement for sing

14Chapter 2, Installing Your Matrox Axio HD or SD HardwareConnect the internal power supply cable to your X.io cardYour X.io card requires power from

284Appendix B, Matrox Axio WorkflowsSupported main and secondary SDI output formats on Matrox Axio LEThe following table lists the supported main and

AppendixCMatrox Axio SpecificationsThis appendix provides specifications for the Matrox Axio cards, as well as the X.linkHD and X.linkSD breakout boxe

286Appendix C, Matrox Axio SpecificationsX.io cardGeneralPCI interface Full-size PCI-X 66/100 MHz cardRegulatory compliance FCC Class A, CE Mark Class

287X.effects cardX.effects cardGeneralPCI interface Full-size PCI-X 66/100 MHz cardRegulatory compliance FCC Class A, CE Mark Class A, ACA Class A,RoH

288Appendix C, Matrox Axio SpecificationsX.linkSD breakout boxGeneralVideo standards NTSC, PAL, NTSC-EIAJDimensions 12.875” × 3.5” × 2.975”Typical ope

289X.linkSD breakout boxVideo output signalsAudio input/output signalsAnalog balanced (1 stereo input pair)Input impedance High impedanceNominal leve

290Appendix C, Matrox Axio SpecificationsAudio specificationsSampling frequency 48 kHz (using 64× oversampling)Quantization 24 bitsEnvironmental speci

291X.linkHD breakout boxX.linkHD breakout boxGeneralVideo standards NTSC, PAL, NTSC-EIAJ, 1080i, 1080p/PsF, 720pDimensions 12.875” × 3.5” × 2.975”Typi

292Appendix C, Matrox Axio SpecificationsVideo output signalsAudio input/output signalsAnalog balanced (1 stereo output pair)Output impedance 50 Ω No

293X.linkHD breakout boxAudio specificationsSampling frequency 48 kHz (using 64× oversampling)Quantization 24 bitsEnvironmental specifications• Minimu

15Before you install your Matrox Axio card setSet the power selection switch on your X.effects cardYour X.effects card requires additional power, eith

294Appendix C, Matrox Axio SpecificationsAxio LE cardGeneralPCI interface Full-size PCI Express x4 card, or full-size PCI-X 66 MHz cardRegulatory comp

295Axio LE cardVideo input signalsSignal Type Qty Voltage ImpedanceComposite Video 1 1.0 Vp-p75 ΩORY/C Video 1Luminance signal (Y) 1.0 Vp-p75 ΩChromin

296Appendix C, Matrox Axio SpecificationsVideo output signals¦NoteOnly one composite output is available when using analog component output. Composite

297Axio LE cardAudio input/output signalsAnalog balanced (1 stereo input pair)Input impedance High impedanceNominal levels +4 dBu, 18 dB headroom An

298Appendix C, Matrox Axio SpecificationsYour notesAxio Installation and User Guide.book Page 298 Monday, July 14, 2008 8:00 AM

AppendixDMatrox Axio GlossaryThis glossary defines many of the terms used in this manual and related documentation.Axio Installation and User Guide.bo

300Appendix D, Matrox Axio GlossaryUse this glossary as a reference for many of the basic terms in your Matrox Axio manual and related documentation.N

301Glossary of termsaspect ratio A width-to-height ratio. For example, a 12-by-9-inch image has an aspect ratio of 4:3 (four-to-three). Most TV screen

302Appendix D, Matrox Axio Glossarylighting conditions or incorrect camera settings. See also white balancing. compile See render.component video A vi

303Glossary of termsenhance display capabilities. Also called graphics card. See also GPU.dissolve A transition in which one image smoothly fades to a

16Chapter 2, Installing Your Matrox Axio HD or SD Hardware°To set your X.effects card to receive power from the external power supply:Connect the inte

304Appendix D, Matrox Axio Glossaryscreen or silence (also called a fade-out transition). Similarly, you could start a new scene with a fade up from b

305Glossary of termsI-frame compression See MPEG-2 I-frame.I-frame (Intra-frame) A frame created during the MPEG or MPEG-2 compression process that co

306Appendix D, Matrox Axio Glossaryshining a bright light into the lens of a camera when taking a photo.LTC Longitudinal Time Code. Time code that is

307Glossary of termsMPEG-2 I-frame An MPEG-2 compression type that uses only intra-frame compression (that is, only I-frames are created). Used for hi

308Appendix D, Matrox Axio GlossaryPCI Express slot A type of PCI slot that uses a different and much faster communications protocol than a 32-bit PCI

309Glossary of termsRS-232 A non-differential serial data transmission standard used for computer connections. See also serial control.RS-422 A differ

310Appendix D, Matrox Axio GlossaryS-Video A component video signal in which the luminance (Y) and chrominance (C) information are separate. S-VHS vid

311Glossary of termsvectorscope A device that measures the phase and amplitude of the color components of a video signal.VITC Vertical Interval Time C

312Appendix D, Matrox Axio GlossaryYour notesAxio Installation and User Guide.book Page 312 Monday, July 14, 2008 8:00 AM

AppendixEMatrox Axio Customer SupportThis appendix explains how you can register your Matrox Axio and obtain customer support.Axio Installation and Us

17Install your Matrox Axio card setInstall your Matrox Axio card setYour Matrox Axio card set is designed to operate in your computer’s PCI-X slots. I

314Appendix E, Matrox Axio Customer SupportGetting the most supportIf you have a problem that you’re unable to solve by referring to your Matrox Axio

Numerics1080i @ 25 fps projectworking with2761080i @ 29.97 fps projectworking with2761080p @ 23.98 fps projectworking with2721080p @ 24 fps projectwor

316IndexAllow super black 81, 83, 86Allow super white 81, 83, 86Analog audio volumeadjusting for X.linkHD and X.linkSD87adjusting for X.linkLE 91Analo

317Indexconnecting X.linkLE S-Video adapter cables45connecting X.linkLE to 1394 port on computer45connecting X.linkLE to audio cable bracket44connecti

318IndexCombustion WYSIWYG plug-inSee Autodesk Combustion WYSIWYG plug-inComponent gainadjusting for X.linkHD81adjusting for X.linkSD 82Component outp

319IndexEZ-MXFSee Matrox EZ-MXFFFaninstalling11, 33Ferrite beadsattaching to X.link cable24Fixed effectsapplying in Adobe Premiere Pro226Flex CPU effe

320IndexInstallationMatrox Axio card set17Matrox Axio LE card 38Matrox Axio software 52Interlaced clipsmixing with progressive clips72, 271Internal an

321IndexMatrox Axio card setbefore you install10installing 17Matrox Axio HDconnecting external devices26features 3hardware supplied with 4supported co

322IndexMatrox MPEG-2 IBP codecconfiguring in Adobe Premiere Pro111Matrox MPEG-2 I-frame + Alpha codecconfiguring for VFW render236selecting for VFW r

323IndexMPEG-2 IBP codecSee Matrox MPEG-2 IBP codecMPEG-2 I-frame codecSee Matrox MPEG-2 I-frame codecMPEG-2 I-frame HD codecSee Matrox MPEG-2 I-frame

18Chapter 2, Installing Your Matrox Axio HD or SD HardwareInstall your X.effects card1 Make sure the power selection switch of your X.effects card is

324Indexfor SD "24P" material 256loading for Matrox Axio 70See also Matrox Axio workflowsPulldowndescription of advanced253description of st

325IndexRegistering your Matrox Axio 314Rendering using Adobe Premiere Prolimitations to realtime effects228Rendering using VFW programsbefore you sta

326IndexSphere effectcreating216Splash screendisabling for Matrox project in Premiere Pro77Split Viewusing139working with in the Program Monitor 139St

327IndexVU meters 103WWarningsdisplaying in Adobe Premiere Pro’s Events panel71displaying with X.info 249Warranty iWAV filescapturing using Adobe Prem

328IndexXMP filescreated for M2V clips104Axio Installation and User Guide.book Page 328 Monday, July 14, 2008 8:00 AM

Compliance StatementsUSAFCC Compliance StatementRemark for the Matrox hardware products supported by this guideThis equipment has been tested and foun

www.matrox.com/videoAxio Installation and User Guide.book Page 330 Monday, July 14, 2008 8:00 AM

19Connect the external power supply to your X.effects cardConnect the external power supply to your X.effects cardIf you’re using the external power s

20Chapter 2, Installing Your Matrox Axio HD or SD HardwareYour notesAxio Installation and User Guide.book Page 20 Monday, July 14, 2008 8:00 AM

Chapter3Connecting External Devices to MatroxAxio HD and SDThis chapter shows you how to connect external devices to Matrox Axio HD and SD.Axio Instal

22Chapter 3, Connecting External Devices to Matrox Axio HD and SDX.linkHD and X.linkSD breakout box connectionsThe X.linkHD and X.linkSD breakout boxe

23Prepare for mountingUsing the desktop footYou can use the desktop foot to lay your X.link breakout box flush on your desktop with its audio/video co

iiMatrox Axio License Agreement, Warranty, and ServiceC. End-user registrationBefore using your Matrox Axio product, please take a moment to register

24Chapter 3, Connecting External Devices to Matrox Axio HD and SDAttaching the rackmount brackets1 Unpack the two rackmount brackets and their four mo

25Connect your X.link breakout box to your computer3 Repeat steps 1 and 2 with the second ferrite bead at the opposite end of the X.link cable.Connect

26Chapter 3, Connecting External Devices to Matrox Axio HD and SDTypical Matrox Axio HD and SD connectionsIllustrations in the following sections show

27Typical Matrox Axio HD and SD connectionsX.linkSD analog component connectionsAxio Installation and User Guide.book Page 27 Monday, July 14, 2008

28Chapter 3, Connecting External Devices to Matrox Axio HD and SDX.linkSD S-Video connectionsAxio Installation and User Guide.book Page 28 Monday, J

29Typical Matrox Axio HD and SD connectionsX.linkSD digital video connectionsProgrammonitorinputSDIINDi gi tal Vi deo Sol ut i on sCOMPOSITES-VIDEOCh

30Chapter 3, Connecting External Devices to Matrox Axio HD and SDYour notesAxio Installation and User Guide.book Page 30 Monday, July 14, 2008 8:00

Chapter4Installing Your Matrox Axio LEHardwareThis chapter describes how to install your Matrox Axio LE card.Axio Installation and User Guide.book Pa

32Chapter 4, Installing Your Matrox Axio LE HardwareBefore you install your Matrox Axio LE cardRead the following information carefully before attempt

33Before you install your Matrox Axio LE cardTo provide as much airflow as possible over the card, you must install a fan as explained below:• Positio

iiiMatrox Axio License Agreement, Warranty, and ServiceWHOLE OR IN PART, WILL BE FREE FROM INFRINGEMENT OF ANY THIRD PARTY INTELLECTUAL PROPERTY OR PR

34Chapter 4, Installing Your Matrox Axio LE HardwareFormat your A/V drives using NTFSYour A/V drives must be formatted using NTFS for use with Matrox

35Before you install your Matrox Axio LE cardAbout the PCI retainer bracketMany computers contain card guides at the front end of the computer chassis

36Chapter 4, Installing Your Matrox Axio LE HardwareConnect the internal power supply cable to your Axio LE PCIe cardThe PCIe version of the Axio LE c

37Before you install your Matrox Axio LE cardConnect the internal analog audio cable to your Axio LE cardThe Axio LE card includes an internal analog

38Chapter 4, Installing Your Matrox Axio LE HardwareInstall your Matrox Axio LE cardYour Matrox Axio LE card is designed to operate in either a PCIe o

Chapter5Connecting External Devices to MatroxAxio LEThis chapter shows you how to connect external devices to Matrox Axio LE.Axio Installation and Use

40Chapter 5, Connecting External Devices to Matrox Axio LEX.linkLE breakout box connectionsThe X.linkLE breakout box provides you with the maximum fle

41Attaching the rubber feet to X.linkLEAttaching the rubber feet to X.linkLEYou can use the adhesive rubber feet provided with the X.linkLE breakout b

42Chapter 5, Connecting External Devices to Matrox Axio LErackmount bracket with their respective screw holes on either end of the X.linkLE breakout b

43Connect your X.linkLE audio/video and SDI cables to the Axio LE cardConnect your X.linkLE audio/video and SDI cables to the Axio LE card1 Connect th

ivMatrox Axio License Agreement, Warranty, and ServiceH. Procedure for returning goodsNo returned goods, for service or otherwise, will be accepted wi

44Chapter 5, Connecting External Devices to Matrox Axio LEConnect your X.linkLE balanced analog audio cable to the audio cable bracket1 Connect one en

45Connect your X.linkLE 1394 cable to your computerConnect your X.linkLE 1394 cable to your computer1 Connect one end of the X.linkLE 1394 cable to th

46Chapter 5, Connecting External Devices to Matrox Axio LE3 For S-Video output, connect the S-Video adapter cable labeled Y to the Pb/Y OUT connector,

47Typical Matrox Axio LE connectionsTypical Matrox Axio LE connectionsIllustrations in the following sections show some typical video connections. In

48Chapter 5, Connecting External Devices to Matrox Axio LEX.linkLE S-Video connectionsThe X.linkLE breakout box does not have standard S-Video connect

49Typical Matrox Axio LE connectionsX.linkLE digital video connectionsDV-1394OUTAUDIO RAUDIO LVIDEOS-VIDEODV-1394 deviceProgrammonitor inputY/G B-Y/B

50Chapter 5, Connecting External Devices to Matrox Axio LEYour notesAxio Installation and User Guide.book Page 50 Monday, July 14, 2008 8:00 AM

Chapter6Installing Your Matrox Axio SoftwareThis chapter explains how to install the software required to use your Matrox Axio system.Axio Installatio

52Chapter 6, Installing Your Matrox Axio SoftwareOverview of the software installationOnce you’ve installed your Matrox Axio hardware and properly con

53Installing Adobe Premiere ProInstalling Adobe Premiere ProYou must install Adobe Premiere Pro before installing Matrox Axio.utils.¡ Important You mu

ContentsChapter 1Introducing Matrox AxioWelcome to Matrox Axio ...2Matrox Axio key featu

54Chapter 6, Installing Your Matrox Axio SoftwareInstalling Matrox Axio.utils1 Insert your Matrox Axio installation DVD in your DVD-ROM drive. Windows

55Adding the Matrox WYSIWYG plug-in to NewTek LightWave 3D720×486 and HD 1440×1080 patterns only. You’ll also be prompted to install the Matrox WYSIWY

56Chapter 6, Installing Your Matrox Axio SoftwareInstalling additional Matrox WYSIWYG plug-ins or removing unneeded plug-insWhen you install Matrox Ax

57Removing your Matrox Axio softwareRemoving your Matrox Axio softwareYou can remove the various Matrox Axio software components as follows:• To remov

58Chapter 6, Installing Your Matrox Axio SoftwareYour notesAxio Installation and User Guide.book Page 58 Monday, July 14, 2008 8:00 AM

Chapter7Working with .mxf, .mp4, and .avi FilesThis chapter shows you how to work with .mxf, .mp4, and .avi files on Matrox Axio.Axio Installation and

60Chapter 7, Working with .mxf, .mp4, and .avi FilesWorking with native .mxf files in Adobe Premiere Pro and After EffectsMatrox Axio supports the OP1

61Working with native XDCAM EX (.mp4) files in Adobe Premiere Pro6 Export your project to a wide variety of formats, including a P2- or XDCAM-compatib

62Chapter 7, Working with .mxf, .mp4, and .avi FilesAdditional file details in Windows XPOn a Windows XP system, Matrox Axio lets you add additional d

63Creating Matrox EZ-MXF files for playback with VFW applicationsRemarks• Windows Media Player does not support .mxf files. You can therefore use the

viContentsChapter 3Connecting External Devices to Matrox Axio HD and SDX.linkHD and X.linkSD breakout box connections... 22X.li

64Chapter 7, Working with .mxf, .mp4, and .avi FilesPanasonic P2 folder structurePanasonic P2 files are organized in a specific folder structure as fo

65Converting a 32-bit .tga sequence to an .avi file with alpha°To create Matrox EZ-HDV AVI files:1 In Windows Explorer, right-click the desired HDV .a

66Chapter 7, Working with .mxf, .mp4, and .avi Filesfiles are selected, only the selected files will be taken to build the .avi file. The .avi file wi

67Converting a 32-bit .tga sequence to an .avi file with alpha¦NoteThe compression formats that are available in the Compressor list depend on your se

68Chapter 7, Working with .mxf, .mp4, and .avi FilesYour notesAxio Installation and User Guide.book Page 68 Monday, July 14, 2008 8:00 AM

Chapter8Defining Your Adobe Premiere ProSettingsThis chapter explains how to define various settings for using Matrox Axio with Adobe Premiere Pro. Th

70Chapter 8, Defining Your Adobe Premiere Pro SettingsA note about running other programs with Adobe Premiere ProFor the best performance, you shouldn

71Setting up your scratch disksSetting up your scratch disksWhen specifying the location of your scratch disks in Adobe Premiere Pro, make sure you fo

72Chapter 8, Defining Your Adobe Premiere Pro SettingsMixing SD and HD clips in a projectMatrox Axio supports realtime playback of SD clips in an HD p

73Mixing SD and HD clips in a projectRemarksRealtime scaling is not supported for the following:$ Matrox offline HD clips.$ Matrox .avi files with alp

viiContentsChapter 5Connecting External Devices to Matrox Axio LEX.linkLE breakout box connections ...40X

74Chapter 8, Defining Your Adobe Premiere Pro SettingsDefining your General settingsThe Matrox Playback Settings dialog box has several pages that you

75Defining your General settings¦NoteIf you choose to scrub fields when working with progressive scan video, you won’t normally see a difference betwe

76Chapter 8, Defining Your Adobe Premiere Pro Settings9 Under Premiere Pro Accelerated Effects, you can select various options for your realtime/accel

77Defining your General settingsPremiere Pro and open your project, both the audio conform and .pek files will be created.12 Under Sequence Playback,

78Chapter 8, Defining Your Adobe Premiere Pro SettingsSelecting options for accelerated Premiere Pro effectsTo select your options for processing acce

79Defining your General settingsto the Matrox move & scale effect. On Axio LE, you can map to the Matrox 3D DVE effect only if you have a display

80Chapter 8, Defining Your Adobe Premiere Pro SettingsSpecifying your video output settings (X.linkHD)You can specify various settings to configure yo

81Defining your General settings5 If the Pulldown Method list is available, select the pulldown method you want to be applied to your output video (St

82Chapter 8, Defining Your Adobe Premiere Pro SettingsSpecifying your video output settings (X.linkSD)You can specify various settings to configure yo

83Defining your General settings7 If the Aspect Ratio Conversion list is available, such as when the video output for an HD project is downconverted t